Marylou’s objectification was not
solely shaped by Dean’s actions; Sal’s behavior and mindset had a large part in
the injustice as well. Even in Sal’s initial description, the reader can see
that Sal’s image of her is almost solely based on her aesthetics. He depicts her as “a pretty blonde with
immense ringlets of hair like a sea of golden tresses”, explaining, “outside of
being a sweet little girl, she was awfully dumb.” Given these descriptions, it becomes evident
that the reason for both Dean and Sal’s interest in Marylou stems from their
adoration of her physical beauty, not any beauty or goodness they found within
her character or personality. She is a
source of sexual pleasure and, in essence, a treat for them to observe as they
attempt to quell their incessant hormones. Not once is Marylou’s mind
addressed, in regards to her possessing any kind of intellect or thought
besides sexual desire. When Sal sees
Marylou again after her and Dean split, he says: “Marylou had not slept since
Denver. I thought she looked older and more beautiful now”. Though this might be taken as a compliment,
Sal’s comment further enforces the fact that Marylou is merely a source of “eye
candy” to Sal and the rest of the men in the novel. The first person point of view of On the Road allows the reader to receive
valuable insight into the way beatnik men perceived women during this time
period. Sal’s descriptions and
references towards Mary Lou provide evidence for the idea that women were seen and
used as nothing more than a source of physical pleasure.
Similarly to Sal’s descriptions of
Marylou, the diction used to depict Terry was just as visually oriented. She is said to have had “breasts that stuck
out straight and true”, with “flanks that looked delicious” and hair that was “long
and lustrous black”. These foundations
are the most vivacious descriptions we get of Terry throughout her short relationship
with Sal, and well as the first descriptions we get of her. Of course, it is foolish not to consider the
fact that relationships usually begin based on an attraction between two people;
however, Sal’s observations regarding Marylou are limited, besides the ones
describing her physical appearance. It
is not only this specific relationship; every relationship in the novel seems
to be mostly, if not purely, superficial, which would explain the unlucky
nature of the relationships that both Dean and Sal experience.
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