On The Road presents its reader with a detailed
account of a generation shift known as the beat movement. The beat movement can
be characterized by a generation trying to detach themselves from the
constructed norms of society and free themselves from responsibility. Their
desire to stray away from society can be compared to Kafka’s work where there
is a constant reoccurrence of characters trying to move away from society but
always getting pulled back by the three pillars that make up society: state, church,
and family. In an attempt to escape the reality
of society, the Beat Generation found it most effective to reject Kafka's 3
institutions by staying on the road. The only worries the characters of On the
Road faced went back to one or more of the institutions, and their solution was
always to run away and keep running.
Generation shifts occur when a large enough
part of society, typically the young and upcoming generation, rejects certain
standards of society and starts creating new accepted standards. Once enough people
join the new movement, it becomes an accepted part of society and the norms of
society typically shift. For this reason, it is impossible to ever fully escape
society, which is evident in On The Road because even though the characters keep
running, they are never free. Even while traveling cross-country, there are
constant run ins with the law and constant family drama. The beat generation,
kids who just want to run and be care free, are the perfect example of how
trapped people are in society because of how impossible it is to fully escape.
The
most prominent example of the characters of On The Road rejecting Kafka’s
pillars of society is seen through the rejection of the State. A reoccurring
theme throughout the novel is how the police are constantly brought up in a
negative light. The main character to go off on a tangent about how much he
detests the law is Dean, considering he had spent time in jail and was on a
mission to never settle down and surrender to a typical life under the eyes of
the law. However, even other people Sal and Dean met on the road had similar
feelings towards law enforcement and one man told them “Them goddamn cops can’t
put no flies on my ass!” (1.3.5) In addition to characters on the road bad
mouthing the police, there are several situations that prove some of the
corruption. At one point Remy gets Sal a job as a security job
only to further ruin the reputation of law enforcers. He never stayed sober on
the job and spoke about the police’s interests as only being to meet quota to
avoid being fired. The old cop that Sal spoke to on the job even reminisced in
his old days where all the cops used to abuse the prisoners and take advantage
of their power. This rejection of the law ties into the rejection of the
fundamental pillar of society, further proving the beat movement’s rebellious
generation shift.
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