In
this section of “On the Road,” I became a bit confused with what was going on. Kerouac
has a unique style of writing where he just states things as they happen, but
they he does not discriminate against what he is speaking about, thus it evokes
a monotone feeling in the story. Because I was not used to this style of
writing I had some trouble at times following what was going on. To top that,
the story not only has a monotone feel to it, but Kerouac also switches topics
randomly. One paragraph Sal will be reflecting on his situation in Denver and
what he will do next and the next paragraph he will return to reality and
randomly have an incomplete conversation with one of his friends. The fact that
so many characters have been introduced is something that bothers me as well.
Without enough background for any of the characters, it is difficult to keep
track of who is who and who is doing what, adding to the difficulty of
understanding what is happening overall.
What
I got from these two chapters was a change in Sal’s behavior. I noticed that he
was no longer entirely obsessed with whatever Dean was doing. Instead, it
seemed that Sal was simply going with the flow by hanging out with his other
friends. For example, Sal went to Central City and had a night out thinking
about Dean and Carlo only once, and that thought was that they would not like
the Central City scene. At the end of chapter ten, Sal reflects on the fact
that he barely saw Dean through his whole time spent in Denver. I hope that
this will affect Sal in a positive manner and that he won’t follow Dean around
as much as he did before. I am expecting Sal to recognize that he can in fact
have fun with out Dean, and it bothers me that he felt so dependent of Dean in
the first place. Also, I find it ironic how Sal specifically went to Denver to
seek out Dean and his adventures and then ended up hardly spending time with
Dean.
In
conclusion, I hope that Kerouac will change his style at least for the climax
of the story. I find it quite perplexing truthfully that you can write a story
in a monotone fashion. I don’t think I could ever do this, and it makes me
ponder if perhaps this is why this book is revered so much.
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